The Alexa Mini is a extremely compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film.
Available with different accessory kits.
Price: P.O.A. per day
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Uncompromised Image Quality
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry. Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function. Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder. Same 35 mm sensor as ALEXA.
Camera type |
35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System |
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Dimensions |
Length: 185 mm/7.3" |
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Weight |
~ 2.3 kg/5 lbs (camera body with titanium PL lens mount) |
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Sensor |
35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array |
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Photo sites (with surround view) |
16:9 ProRes HD 2880x1620 |
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Shutter |
Electronic shutter, 5.0° to 356.0° |
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Exposure latitude |
14+ stops over the entire sensitivity range from EI 160 to EI 3200 |
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Exposure index |
EI 800 base sensitivity |
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Filters |
Built-in motorized ND filters 0.6, 1.2, 2.1 |
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Lens mounts |
Titanium PL mount with L-Bus connector and LDS EF mount |
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Recording media |
CFast 2.0 memory cards |
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Recording formats |
16:9 ProRes HD (1920 x 1080) |
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Recording codec |
ProRes 422, 422 HQ, 4444, 4444 XQ, ARRIRAW * |
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Color output | Rec 709, custom look or Log C | ||
Look control | Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) | ||
Adjustable image parameters | Knee, gamma, saturation, black gamma, saturation by hue | ||
Focus and exposure control | Peaking, zebra, false color | ||
White balance | Manual and auto white balance | ||
Sound level | < 20 dB(A) at standard frame rates | ||
Environmental | -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics |
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Viewfinder | Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen and military-grade connector to camera |
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Control interface | Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface |
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ARRI lens motor control | Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors |
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Wi-Fi remote control | Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops |
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Custom control | Optional GPIO interface for integration with custom control interfaces | ||
Power input | Lemo 8-pin, 10.5-34 V DC | ||
Video outputs | 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder * |
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Inputs | SDI-Genlock (optional activation through ARRI Service), timecode (in and output) |
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Other interfaces | USB 2.0 (for usersets, looks etc.) Ethernet EXT accessory interface w. RS pin |
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* available in a later SUP |
Please Note: All prices are listed in Australian dollars and exclude insurance, shipping and GST.